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We
are all supposed to be worrying about chemical warfare today
but they have had it for years in the East End of Glasgow. Since
1979, in fact, when heroin first hit the streets. Janey Godleys
harrowing yet comic eyewitness account documents the spread
of the drug and the devastation it has caused on an already
devastated community.
This
is the East End of gangsters, street fighters, factory workers
and everyone who remembers wee Billy Connolly down their street.
A
17-year-old newly-wed arrives to run the local pub with her
harsh but loving husband. From her vantage point behind the
bar she observes the first dealers move in, an event followed
immediately by the first junkies.
Not
only are there smackheads, junkies and single mothers but also
artists, musicians and writers seduced by the needle. There
are searing bursts of humour as saying yes to smack is put firmly
in its cultural context while the rest of us were watching
Charles take Di up the aisle, the junkies are just shooting
up or trying to flog her the dirty bra or kitten in their pocket.
It
is hard-hitting stuff but Godley is a committed communicator
who refuses to over-sentimentalise or lapse into impenetrable
colloquialisms, while keeping true to the reality she is sharing
The
Stage
31st July 2003
The
East End of Glasgow, 1979; and for the first time, major supplies
of heroin are beginning to appear on the streets, in an area where
- as rising stand-up star Janey Godley points out in this powerful
first piece of solo theatre - addiction is already a way of life.
In a room above a pub on the Gallowgate, a teenage girl, the young
wife of the publican, faces the choice of whether to try this
new form of oblivion. Over the next hour, in two monologues, Godley
explores the parallel lives of the woman who says no, and the
woman who says yes.
Its slightly confusing that Godley, who begins her show
with a bitter condemnation of the heroin epidemic as a 1980s war
on the streets that destroys far more lives than the Falklands
conflict, chooses to end it on a slightly ambiguous note, as if
she found it hard to say, 24 years on, which decision brought
more pain or freedom. But at the very least, the show avoids the
temptation to state the obvious, or to indulge in sensationalism
about the drugs scene.
And its loving evocation of the crumbling grandeur, social squalor
and strange architectural beauty of the East End, reflected in
strong black-and-white still images by MB Productions, adds a
memorable and poignant sense of place, history and memory, to
whats already a passionate performance.
The
Scotsman
13th
August 2003 |
The
play is now used by social work departments to highlight the
dangers of drug abuse.
Daily
Record
13th February 2004
Janey's
play, a Shirley Valentine-meets-Trainspotting story, is based
on her own life experience, but with a twist.
Glasgow
Evening Times
19th March 2005
"WHAT
IF"... Just two little words.
Glasgow
comedian Janey Godley illustrates their profound significance
by using them as the jumping off point for her one-woman play
Smack - The Point of Yes.
What
if Janey Godley hadn't been terrified of her violent husband?
What if she'd forgotten her humdrum life as an east end landlady
and allowed herself to be seduced by heroin?
She
was accompanied on her fantasy at Blawarthill Church Hall last
night by a handful of substance users, some people devastated
by family drug deaths and interested locals from the community.
She
gave a hard-hitting performance as part of the Dumbarton Road
Corridor Addiction Awareness Week.
The
year is 1979, Godley is managing a pub and its nine flats upstairs
with her husband. Calton is ripe to accept a life-changing newcomer:
heroin. The play's setup, based on her own experiences, allows
Godley to explore two possible avenues: in saying no to heroin,
she's left to her mundane existence, witnessing the downwardly
spiralling Calton area, the loss of 22 friends to heroin and her
mother's death.
By
saying yes, she submits to addiction, crime and prostitution.
Godley
hones her storytelling skills every week in comedy clubs, but
she's even more engaging when sinking her teeth into subjects
that matter. She tells us she's no better than addicts - just
luckier.
Glasgow
Evening Times
18th April 2005
SEE IT!
Daily
Mirror
3rd June
2005
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